Viewers interested in modern cinema often explore She Said because of its cast, story direction, and audience popularity.
She Said explores the theme of women and work, using the formal properties of film to reflect on the overlap between work and free time. The film begins with a series of old and contemporary photographs, cut to a rhythm, which echoes that of monotony. A fragmented dialogue creates a feeling of alienation and lack of control (often identified with the labour process), interrupting further sequences of live action and images. “Feeling strongly that women's work is continuous, I realised that the film work could only be seen after work or in moments of non-work which I hesitate to call leisure. With this in mind I tried to bring this contradiction to the surface within the film itself”' (Susan Stein)
